After the last episode I mentioned that there were a couple of writers I was hoping to see again – Robert Holmes was one of them. What the plot One aspect I liked from Robert Holmes’ previous stories was his ability to write two separate but fun, compelling plots. This worked particularly well in Gambit …
I approached Power with a degree of trepidation as I had been frustrated by Ben Steed’s previous Blake’s 7 scripts. It had been reassuring to learn from other viewers that I was not alone, but I was also informed that I had another of his stories to come in Series D. Blake’s 7 Monthly delivered …
The Blake’s 7 fans of the 1980s had a long wait between Series C and D, with the former finishing in March 1980 and the latter not starting until October 1981. This was longer than the usual 12 months or so between series but I actually think it’s impressive, having been informed since I finished …
Doctor Who had had its own magazine for two years by the time Blake’s 7 Monthly launched. After just over a year of being published weekly, the magazine went monthly. On the cover of issue 57 it is simply titled Doctor Who, but inside it’s clear that the contributors now consider the magazine to be …
It’s Autumn 1981. With Series D of Blake’s 7 on the horizon, what better time to launch a magazine devoted to the programme than just before the final series airs? Enter: Blake’s 7 Monthly! In between watching Series D, I’ll be sharing a few features from each issue. Throughout the magazine, there is no consistency …
‘Terminal’ is associated with death and can be where a journey ends, so I was curious about this episode’s title. The reveal that is was simply a planet’s name was initially underwhelming. But overall ‘terminal’ stands for an endpoint and this was Blake’s 7‘s most emotional one yet. Avon’s deception Avon’s change of character was …
Early on, I thought I could happily observe the combatants, with the Liberator crew sipping cocktails while commenting on proceedings, for the entire of Death-Watch – a kind-of Blake’s 7 version of Gogglebox. But when the crew did teleport from the ship, more fun was to be had and I wanted it to last longer. …
Ben Steed? That name is familiar. Have we had one of his stories before? Oh, we have. Oh no. I was frustrated by how Ben Steed wrote Servalan in The Harvest of Kairos and after viewing Moloch it’s abundantly clear that the word ‘feminism’ has never registered. I did not find Moloch as bad an …
I’m unsure why Dayna says she doesn’t like the look of Ultraworld as I don’t think there is anything inherently nasty about a spiky silver disco ball. It matches several of the crew’s outfits. I do feel the crew should be less trusting of the universe by now. As Cally’s voice came over to them, …
First broadcast: 20th December 1970 on BBC-1 This was my favourite episode I’ve seen so far. The Goodies decide to take advantage of the recent introduction of commercial radio licences – at least that’s how it appeared to me. My knowledge of the history of commercial radio is slim but nonetheless, 1970 seemed a tad …