We’re four episodes into Series D of Blake’s 7 and now have another issue of Blake’s 7 Monthly to keep us going between episodes. Let’s take a look at some of the features from issue 2, published in November 1981. It’s another bright cover for Blake’s 7 Monthly, with the series logo once again done …
This is the first time I’ve ever struggled with Blake’s 7 and I needed something from Stardrive, just a little bit, to liven up Series D. Just a machine I’ve given up entirely on Orac, whose personality increasingly resembles his creator: a grumpy old man who wanted to be left alone to get on with …
After the last episode I mentioned that there were a couple of writers I was hoping to see again – Robert Holmes was one of them. What the plot One aspect I liked from Robert Holmes’ previous stories was his ability to write two separate but fun, compelling plots. This worked particularly well in Gambit …
I approached Power with a degree of trepidation as I had been frustrated by Ben Steed’s previous Blake’s 7 scripts. It had been reassuring to learn from other viewers that I was not alone, but I was also informed that I had another of his stories to come in Series D. Blake’s 7 Monthly delivered …
The Blake’s 7 fans of the 1980s had a long wait between Series C and D, with the former finishing in March 1980 and the latter not starting until October 1981. This was longer than the usual 12 months or so between series but I actually think it’s impressive, having been informed since I finished …
Doctor Who had had its own magazine for two years by the time Blake’s 7 Monthly launched. After just over a year of being published weekly, the magazine went monthly. On the cover of issue 57 it is simply titled Doctor Who, but inside it’s clear that the contributors now consider the magazine to be …
It’s Autumn 1981. With Series D of Blake’s 7 on the horizon, what better time to launch a magazine devoted to the programme than just before the final series airs? Enter: Blake’s 7 Monthly! In between watching Series D, I’ll be sharing a few features from each issue. Throughout the magazine, there is no consistency …
‘Terminal’ is associated with death and can be where a journey ends, so I was curious about this episode’s title. The reveal that is was simply a planet’s name was initially underwhelming. But overall ‘terminal’ stands for an endpoint and this was Blake’s 7‘s most emotional one yet. Avon’s deception Avon’s change of character was …
Early on, I thought I could happily observe the combatants, with the Liberator crew sipping cocktails while commenting on proceedings, for the entire of Death-Watch – a kind-of Blake’s 7 version of Gogglebox. But when the crew did teleport from the ship, more fun was to be had and I wanted it to last longer. …
Ben Steed? That name is familiar. Have we had one of his stories before? Oh, we have. Oh no. I was frustrated by how Ben Steed wrote Servalan in The Harvest of Kairos and after viewing Moloch it’s abundantly clear that the word ‘feminism’ has never registered. I did not find Moloch as bad an …
