Blake’s 7 – Duel

A psychopath and bloody Blake the Hero.
“I shall enjoy taking your life, Blake.”

TRAVIS IS BACK. I had loved the introduction of the sadistic Travis in Seek-Locate-Destroy so was delighted to see him return so quickly. His confrontation with Blake enables us to glimpse further into both Travis and Blake’s characters. Elsewhere, I pondered how The Liberator is powered and found myself defending Avon’s supposed lack of emotion.

The Liberator has been getting chased by Federation pursuit ships and is low on power, so Team Blake is on the lookout for somewhere safe to wait while the power recharges. Spotting a likely planet, a handful of the crew teleport down for a look round. Soon they must return, after spotting three Federation ships closing in on The Liberator and a battle kicks off.


It hasn’t been entirely clear how The Liberator gains its power or what form it is in, but it doesn’t seem to be conventional fuel. The series has mentioned ‘power cells’ and ‘power banks’. These can run out and need time to recharge. Low power affects The Liberator’s ability to travel at speed, which means they can’t outrun these Federation ships. It also means they can’t fire weapons, I think. I have pondered whether they are solar-powered as this seems the most realistic option, I say about a science-fiction series set several hundred years in the future with a teleport system. If not, the power units could recharge themselves – comparably, I’m imaging video games where a character’s health replenishes other time. The fact it isn’t entirely explained doesn’t matter as it simply serves as an easily repeatable plot device. The Liberator crew will have to stop off on planets from time to time and the presence of any Federation ships will therefore pose an even greater looming threat.


As The Liberator is fired on, the tension suddenly ramps up. Blake consults Zen who says their only viable option is surrender. Avon, who never misses an opportunity for the dramatic, screams, “Logic says we’re dead!” There is lots of top wobbly acting as The Liberator gets repeatedly hit by weapons from the ships. The Liberator has some sort of shield, but it won’t last forever with their low power. I loved all this – we’ve always jumped straight into the action in Blake’s 7 but I don’t think we’ve ever had this much excitement so early on before. How are they going to get out of this? They’re doomed!

Blake beckons Avon and Cally over to explain his plan. I don’t know why he doesn’t involve everyone in this, although with Blake and Avon having emerged as the most prominent members of the crew, they are effectively the senior leadership of Team Blake. With Jenna being the pilot, you would have thought she should have been involved in this chat instead of Cally.

Blake takes out a small notebook and begins drawing marks to represent all the ships. I’m very impressed that this appears on Zen’s display screen as he draws it. While mirroring devices on large screens has become easy enough in recent years, this is a long way off for 1978 and I’m delighted the show has managed such an accurate prediction of the future.

With one ship having done most of the firing, Blake predicts it will be low on power, with the other not far behind it. One of the three ships hasn’t fired at all yet so Blake reckons it is the ship Travis is on. Blake’s plan is to ram it, leaving only one functioning Federation ship. This is a terrible plan. For a start, we can see that The Liberator has long thin pointy bits on the outside that will immediately snap off. However, they all acknowledge that as no one else has any better ideas this will have to do.

As the ships are about the make contact, everything slows down until it eventually freezes. The colours onscreen are inverted and there are various other effects. Travis’s ship appears to have red emergency lighting, while The Liberator’s is both red and green. I thought the effects of all this were rather good. I was puzzled, trying to figure out what was happening. Everyone looked in great pain, then Travis and Blake were transported to the planet below.


At the start of the episode we saw a couple of women – one old, one young. The latter is wearing a very figure-hugging outfit, which I must admit I found a little distracting because you could see everything, and the blue-tinted lighting seemed to emphasise it.

If I have any criticisms of Duel, it’s that there was too much talking with these women. I was initially intrigued in them at the start and their mysterious chat, but it went on a bit once they had brought Travis and Blake down. Cutting between the women explaining the planet’s history and the Liberator crew watching, I lost interest in their backstory yarn. For fairly obscure reasons that seemed to relate to power and balance, they have decided that Travis and Blake should fight it out on the planet. This will supposedly limit the deaths of others – presumably the crew of all the ships up above.

I did like that this is set up so that they must touch their opponent. Spaceships and guns have made their killing very remote. One of the women explains: “Here you must take a life. There will be no machines to make the act unreal. You must touch the life you take.” I think their idea is that they will watch to see if the men truly hate each other as much as they think, or perhaps discover whether they are really violent, capable of holding death in their hands.


Travis was set up well during Seek-Locate-Destroy. We were told and then shown how vile he can be, but Duel is the chance to see more of his sadistic and callous nature in actual ‘action’. He’s confident before they have begun, describing the idea as “pathetic”. He goes on: “I don’t give a damn about their lessons. I shall enjoy taking your life, Blake.” Based on his last appearance, I’m convinced this is true.

The duellers are transported to a forest, having only been given a large knife/cleaver/sword weapon. The forest makes a nice change after a couple of episodes of concrete and metal. Blake seems to have lost his weapon very quickly because he’s barely got over the transportation when Travis has come for him, saying, “Come on, Blake. You don’t want to die on your back.” But Blake appears to have been put off and Travis uses his upper hand to grab Blake by the neck and prepare to slit his throat. It’s only the intervention of the women that stop it – everything freezes again. The old woman seems to have been gleefully enjoying the spectacle. She says Travis is like her own people, whom I gathered had been wiped out, maybe – I’m afraid this was during the talking bit where I struggled to stay interested. She’s clearly like them too. She insists to the younger woman that she “only wanted to see how vicious he really was.”

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I found this a startling moment, especially as it happens so quickly. Blake is the hero – of course we think he’s going to win. To have the tables immediately turned is a surprise. I continue to be amazed by the show’s subject matter for an early evening programme that would have had plenty of children watching. This was going out at the same time as Coronation Street. It seems astounding not just that the BBC was able to show such violent viciousness at this time, but that they decided it would be a good idea to attempt it in the first place. I believe it was probably justified by the fantasy setting of the series.

If we ever doubted what a brutal killer Travis was, this feels like the moment that shows him fully. “You talk a good fight” Blake had told him earlier, but it’s evident that despite a life fighting with guns and spaceships, Travis no qualms about killing anyone – and certainly not Blake. I have the feeling he would do it for any cause he could find.

Within his earlier speech, we get a reminder of his loyalty to the Federation as he insists, “Nothing concerns me but my duty.” I found myself thinking back to the end of Seek-Locate-Destroy when he’s shouting at the guards to shoot at Blake, saying, “It doesn’t matter about me!” It’s interesting that Travis seems willing to sacrifice himself for his ultimate cause of maintaining the superiority of the Federation, when similarly, Blake is willing to risk his life for his cause. His composure is marvellously cool in Duel as he states of the Federation, “I will destroy it.”

Both also have varying degrees of disregard for their companions. Travis’s is blatant. We’re introduced to mutoids in this episode, which seem to be some sort of adapted humans. They have no memories of their earlier lives and need ‘blood serum’ to survive. This comes in a green vial that they insert into their chests. Not everyone likes the idea of mutoids and Travis has complete disdain for them. He certainly doesn’t consider them proper living beings – more like robots. The old women bring in a ‘friend’ for each dueller, and in Travis’s case they clearly had few options and a female mutoid is brought down (actually the only ones we see are female, so they may all be). Despite her insistence that her functioning will be impaired without blood serum, Travis ignores her and then blames her when things go wrong later.


Blake stands in front of the two women very calmly, slightly amused that Travis is unable to harm him after they have initially been transported down. He tries to take the moral high ground as the women explain what will happen, telling them, “I’m don’t think I want to kill for your entertainment.”

Blake ultimately beats Travis but doesn’t kill him. He finds himself transported back to a clearing with the two women who want to know why. “I know who is chasing me and I know I can beat him” is the answer. The first part was essentially Blake’s reason for not killing Travis in Seek-Locate-Destroy and I was frustrated with this as I found it a poor argument. The “I know I can beat him” addition is a good justifier. Blake is demonstrating that he has learned from Travis’s techniques, commenting in Duel that he knows Travis will try to lure him into a trap. Yet with Jenna (his friend brought in) captured, he actually ends up doing this anyway.

The other reason for not killing Travis is much more interesting: “I would have enjoyed killing him.” It did elicit an ‘Ooh!’ from me. It was a nice chink in the armour of this moral man, who I’m beginning to have doubts over. Would Blake ever kill Travis? Even if not, would there be a situation where Blake would let him die? What if it advanced his campaign against the Federation significantly enough?

Apart from odd references, we know little about Blake’s prior life – before his mind was altered by the Federation and he spent a while as a “reformed character”. We only know what he’s told us about what he got up to during his first time as an underground Federation rebel. Just because he was anti-Federation does not mean he was a good guy. Considering he’s very much Mr Moral now, I suspect he may have been the same in his younger days. Yet I think Blake picks and chooses when to apply these morals.

The rest of the Liberator crew can see and hear what is happening on Zen’s screen. The younger woman tells Blake and Travis, “15 people could die because of your beliefs.” When Blake replies, “My crew are with me by choice”, we cut to Avon’s stony face and he merely says, “Really?”

I wonder if Blake genuinely believes that? I think he possibly does. I think that is maybe why he goes about things with such conviction – because he truly thinks his crew have chosen to join his crusade. In reality, despite their varying levels of loyalty to Blake, all the crew are stuck with him through a lack of any other viable options. In fact, Blake’s crusade has made it increasingly difficult for them to leave. While originally they were all known and wanted for the crimes that got them sent to Cygnus Alpha (aside from Cally), Blake has ensured they are now caught up in what seems to be becoming a significant rebellion against the Federation. It will be much more difficult for any of them to slip under the radar now. Maybe Blake is aware of this.

The last couple of episodes have made me ponder that if the titles appeared suddenly calling it Avon’s 6, I’d probably cheer while they stuffed Blake into an airlock. It isn’t that I dislike Blake. Rather, I find him quite an irritating hero to be leading us. The Federation is evil (and I do love the utter horridness of it) so I want to see Blake lose his temper and do something vengeful and nasty. He’s selfish, too bloody moral and he isn’t even consistent.

Instead, I find myself supporting Team Avon. Despite the fact he’s shown himself to be a bit of a bastard, I love him for it, probably partly because I’ve been on his side of reason and logic from the start, and partly due to my frustration with Blake. It would come as no surprise if Avon found a way to leave The Liberator with a number of valuable items, abandoning the rest of the crew to their fate of spending the rest of their days as the conscripted recruits of Blake’s Cause.


It’s a good touch that in an episode where mutoids are introduced, there are comments questioning Avon’s emotional capacity. I know I’ve just described him as a bit of a bastard, but I think it’s important to remind ourselves that he isn’t the inhuman psychopath that Travis is.

A reply from Zen makes Blake light-heartedly wonder if he “offended Zen’s professional pride” to which Avon answers, “It’s just a machine, Blake.” Vila then comments to Gan, “He should know.” Gan is a bit thick and doesn’t get this at first. Avon walks over and clears it up for him: “He was calling me a machine. But since he undoubtedly defines himself as a human being, I will choose to accept that as more of a compliment than anything else.” Even if Vila has touched something, it’s a nice comeback from Avon and gets no further reply from Vila, who busies himself looking down at some interesting controls. There’s a great moment afterwards where Vila gets up and Avon doesn’t move, forcing him to brush past his chest. Avon stands there smiling, knowing he’s made his position clear. I don’t see them getting in a barroom punch-up but still wouldn’t fancy Vila’s chances and he’s certainly never going to win in a battle of wits with Avon.

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As darkness sets in, the crew back on The Liberator are still watching the screens showing the planet below. Avon is prepared to give in for the night. Gan challenges, “You’re never involved, are you, Avon? Have you ever cared for anyone?” Vila adds, “Except yourself?” Avon replies, “I have never understood why it should be necessary to become irrational in order to prove that you care. Or indeed why it should be necessary to prove it at all.” I have previously described Avon as selfish, in a logical way – his most pressing concern does tend to be, and usually has to be, preventing Blake from killing them all. So initially it would seem that Gan and Vila’s comments are fair.

But I found Avon’s answer masterful as his entire outlook is based on acting rationally for survival. His rather removed personality is a demonstration of the other half of his statement and I do find it really intriguing that he doesn’t understand why you might need to demonstrate that you care about other people. He is not concerned that showing such compassion might help build relationships and make others more inclined to care about him. I have previously referenced Avon’s very first scene from Space Fall in which he reveals that he got caught by the Federation while trying to rob a bank because he “relied on other people” and so his comments in Duel make perfect sense. I don’t think Avon is bothered whether or not other people know he cares about them because even if he does, he probably doesn’t expect them to care about him.

While it is true that Avon is fairly reserved when it comes to expressing emotions outside of anger and cynicism, he is capable of doing so. The moment that has stayed with me is the end of Seek-Locate-Destroy when Blake and Cally return to The Liberator. Standing with Avon, Vila says to them, “We’re glad you’re safe, aren’t we? Aren’t we?” Avon is still starring over towards Blake and Cally, and softly says, “Yes, I’m glad you’re alright.” He says it like he means it and my interpretation was that even if Avon dislikes Blake, he does share concern for the other crew and is relieved Cally returned from Travis safely. I think Avon could be afraid of showing much emotion, fearing that it would make him vulnerable. Yet even if the others do see him as somewhat robotic, it is evidenced that he simply chooses when and if to show he cares.


Cally was introduced with telepathy skills but we haven’t really seen any of this since. There were a few lines in Mission to Destiny that I noticed she gave without moving her lips. In Duel we get a small hint of it when, as the crew watch on The Liberator, Avon wonders aloud, “How are we seeing this?” It is of course the camera’s viewpoint, but we are told it is through the old lady. Cally assures the others that what they’re seeing is the truth and just seems to know somehow.


One important event of this episode was Jenna leaving the ship to visit a planet, something that I previously noted hasn’t happened since The Way Back. She gets herself captured by Travis’s mutoid friend, and the sight of her tied up and gagged on the forest floor was the final nail in the coffin of my hope she would be this awesome kick-ass ex-smuggler, who had had to look after herself and could comfortably take on anyone.

An explanation for Jenna rarely venturing from the ship was provided when I considered a comment from Vila, who has the reasonable worry that they’re all screwed if Blake and Jenna don’t make it back. He informs us that they are the only people who know how to operate the ship. This is bad, gives a tad more tension to proceedings and could be why Jenna hasn’t gone off before now – if Blake is off the ship, they need someone else on board to operate it. I’m concerned. With such a small crew, it would make more sense for everyone to be able to do everything. But they do seem to have fallen into roles with Vila being the main person to operate the teleporter (though others do too), Cally assists Jenna sometimes, and presumably Avon is the only person who could do anything technical. I’m not sure what, if anything, Gan does.

I’ve mixed feelings about Duel. There are moments of fantastic excitement that I loved, like the whole space battle and when Travis almost kills Blake – just for a moment I was thinking, “What if he does it?”. However, I couldn’t summon much interest in the planet’s backstory and the duel in the forest feels lacking. By the time we’ve had the introductory scenes, the space battle and Blake and Travis have been briefed by the two women, a good chunk of the episode is gone. While it always seems like Blake’s 7 immediately gets on with a story, I’ve realised that we spend 10-20 minutes on The Liberator. If this continues, it may impact the ability to build up plots. In Duel, I felt that had the actual duel occupied more of the episode, there could have been more time to create tension in the forest and, following his near-death, possibly been able to dwell on Blake’s vulnerability there.

On the other hand, I’ve enjoyed having some of Travis’s development compounded and the opportunity to compare him and Blake side by side. I’m still unsure about Blake and Duel has given me even more to think about. Yet he remains predictable to those who know him. As he stood holding his weapon over Travis, we cut to Avon who slowly shook his head, knowing Blake wouldn’t kill him. I’m curious if Avon will try to use this predictability against Blake.

Avon continues to fascinate me as so many of his lines seem to come back to his innate cynicism. Back with Space Fall I first began to consider what sort of world could have bred his attitude. Since then, Blake’s 7 has been gradually revealing parts of this world to us and it’s become clear to me that Avon’s outlook is quite justified.


  1. Mrs.Underhill

    Stumbling in to let you know that I'm enjoying your blog so much, and hope that you'll be entertained and compelled by Blake's 7 enough to continue to the very end. Oh, it's so much yet to come, and I envy your journey!
    I watched it myself about 1.5 years ago, became a rabid fan and now take a (perverse) pleasure in seeing more people becoming converts to "the faith", while relieving my own journey vicariously. 🙂

    Agree with your thoughts on Avon in this episode – that was the time I started picking up on him caring more then he showed, and his speech about "you don't have to be irrational to prove that you care" is one of my favorites. His words are often at odds with his actions and his body language – like he throws himself in front of danger to cover Blake while loudly berating him. Like here in "Duel" he catches Blake into his arms when Blake stumbles after the explosion.

    I remember your question on Twitter whether there are Blake/Avon fanfics and I can emphatically answer – OH YES! After 1.5 years in fandom I'm still at the tip of the fanfic iceberg but it's one of the main pairings, while Avon is also shipped with a variety of men, women and inanimate objects – just you wait. 😀

    Loved you observation on how no one can really leave the Liberator after Blake made them all #1 rebels for the Federation. They had a chance of fading into obscurity before – not anymore.
    Also you noticed a moment with Avon looking genuinely relieved when Blake and Cally got back in the end of SLD – yes, thought so too! He cared more for Cally then he wanted to show. And his words about the device they stole also showed that: "Under the circumstances, it would have been a great pity if it hadn't worked."

    Avon is a fascinated character. Also you noted his interplay with Vila – yes, remember that's where I started enjoying it too.
    Blake – hope he'll live up to you expectations, he does develop in interesting ways, don't want to spoil.

    Jenna – alas, not her best showing in this episode. But I liked her words how Federation caught all of them at least once.

  2. Andrew P

    I very much wish I had the time to rewatch “Blake’s 7” (which I don’t think I’ve had chance to do in well over a decade)… but, my goodness, reading your blog is the next best thing! I am so delighted that you’re this engaged with the series.

    “Duel”’s a mixed bag isn’t it? An old idea which is retooled adequately to maintain character and concept interest. And your observation that this is airing against “Coronation Street” is brilliant! Wish other writers had this grasp of how TV works and has changed over the years…

    Many thanks


  3. Eve T

    Talking about B7 fan fiction I feel I should point out, as most long time B7 fans will know, that many of the actors and writers were not in favour of using their images and characters in slash and the more extreme fan fiction. Darrow and Keating and the original B7 creator & writer Terry Nation even consulted solicitors & issued statements over the issue. That's why many fans (me included) will not touch those slash/hardcore "stories". Many of them are extremely violent & hardcore and the "story" lines have zero to do with B7 anyway.
    I feel that the writers of them are not real B7 fans. Who would continue to use the work/images of the main creators of a show or any piece of work if the creators of it had expressly said they are not in agreement with it and it causes "distress" to them & their families (to quote their statement about the issue at the time). Saying that, there is much mainstream, non-slash B7 fan fiction that is very creative and pays homage to the show.

  4. H E Cooper

    Thanks for everyone's comments and I'm glad you are enjoying me enjoying myself!

    I did notice Avon catching Blake but never quite managed to work in any commentary on it. I continue to find him such a fascinating character. Much of this does come from his relationship with Blake so it would be interesting to see anything more with the other members of the crew.

    In so many ways Blake's 7 is a stark contrast to Coronation Street! Doing the Back in Time For TV articles has really made me appreciate programmes' context far more. Also, because I've yet to find any concrete rules about what was allowed pre-watershed during the 1960s and 1970s, it's great to see what different programmes managed to do.

    I've never been drawn towards fan fiction for anything, so it is unlikely to be something I will explore for Blake's 7 either. It is an area I am happy to know by reputation and rumour alone!

  5. Andrew P

    Trying to understand pre- and post- watershed boundaries is a bit of a mystery… even moreso at this distance in time. With “Blake’s 7”, some of the content now seems staggering for an early evening slot. I was young-ish when “The Way Back” aired at 6pm one evening, and I’m fairly sure that when I heard Blake being accused of “attempting to corrupt minors” that I’d have *assumed* it was something to do with Arthur Scargill. But there it was on BBC1 at teatime…

    The BBC and ITV would have had their guidelines, but looking back on shows from any era is now astonishing as to where these boundaries would appear to lie. Julie and I have been watching “Get Some In!” (which is far better than we expected) and I’d forgotten that the word “bastard” was thrown around in a few editions – that I recall being generally a post-watershed word (of course, here in the future, it’s now comparatively acceptable in comparison with a lot of the other words which *do* feature in the dialogue).

    Seeing the shows which push the boundaries – in terms of style or content – is always fascinating. I’ll never forget my excitement when seeing shows like “Gangsters” or “Moonlighting” or some of Dennis Potter’s serials which really ripped up the rule book and struck out in a new direction.

    All the best


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